YVETTE JAMES

  • WORKS
    • 2024
    • Liquid State
    • 2023
    • The Machine is Working
    • Lingering (in collaboration with Jemima Lucas)
    • 2022
    • Copper Spun Limbs
    • Uncovering the Flesh in Our Satellites
    • 2021
    • Your Data is an Organ
    • 2019
    • As We Pull the Earth Towards Ourselves
    • A Greater Level of Investment (in collaboration with Andre Franco)
    • Monument to community: dedicated to the people of Detroit
    • 2018
    • Risking The Ocean Beneath Us
  • CV
  • WORKS
    • 2024
    • Liquid State
    • 2023
    • The Machine is Working
    • Lingering (in collaboration with Jemima Lucas)
    • 2022
    • Copper Spun Limbs
    • Uncovering the Flesh in Our Satellites
    • 2021
    • Your Data is an Organ
    • 2019
    • As We Pull the Earth Towards Ourselves
    • A Greater Level of Investment (in collaboration with Andre Franco)
    • Monument to community: dedicated to the people of Detroit
    • 2018
    • Risking The Ocean Beneath Us
  • CV
Risking the Ocean Beneath Us
Yvette James
​Concrete, honey, steel, basalt, sump oil, silver
EXHIBITED: MADA NOW Graduate Exhibition, Monash University (2018), DEBUT XV, BLINDSIDE (2019), Hatched: National Graduate Exhibition, PICA (2019)

Acute awareness of one’s physicality produces unease, a reminder that our sentience is contained inside finite matter.
The artwork dictates the space, creating tension between body and work. A rupture in emotion, each element creates unrest- through danger, through instability, through abjection. The viewer orbits each element, fluctuating between threat and curiosity, finding themselves in psychological oscillation.


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​I acknowledge and pay my respects to the Wurundjeri people as the traditional custodians of the land on which I live and work, and acknowledge this as stolen land. Sovereignty was never ceded.